This post is for all you fantasy writers currently querying to give you some insight into why it can be so difficult to land a fantasy project with an agent. While romance has the biggest market share, it often seems like fantasy is the most popular genre to write and that is part of what makes it so tough on the traditional side. I’m going to cover stats, inbox trends, the market, and what I’m looking for.
When it comes to my slush inbox, and probably most inboxes of other agents who represent fantasy, fantasy tends to dominate numbers wise. For example my next most popular genre right now is historical since I did several contests for it in May (this may actually be skewing my historical stats higher than usual) and I’m pretty vocal about my love for the genre. I took stats from recent queries to show you just how far my slush skews fantasy. In that time that it took me to get 192 historical queries these last few months across adult and YA, I got 168 adult fantasy queries and another 161 in young adult. So together that’s 329 queries versus 192. The next highest genre was science fiction at 126 queries. All other genres I accept in that same period of time got less than 100 queries. Continue reading “Fantasy Slush: The Current State”
Those who follow my blog by now should be super aware that I’m an editor. I’ve edited for 5+ houses, but I’ve also been a literary agency intern and assistant. I wanted to take a break from all my book reviews to discuss some of my experiences on the agency side in regards to the slush. One of my first thoughts after getting a peek at the slush during my internship was that I wish I’d gotten that experience earlier in my editing career. I think it’s useful experience not just for aspiring agents, but also editors and writers. It gave me a whole new respect for acquiring editors and a better understanding of the acquisitions process. I found there was a lot to be learned from the slush.
As an editor I don’t deal with acquisitions, just the edits that come after. That means I often heard tales about the slush, but until I interned with a literary agency I never saw it for myself. The most surprising aspect of seeing it? How many of the subs had decent writing. Sure you get authors who don’t follow guidelines and aren’t in querying shape yet, but I was surprised by how many subs I read that had passable writing. I was expecting a lot more of it to be nowhere near ready. My first dive into the slush to find something to pass to my agent caused me to struggle to decide what to pass on since as an editor I was so used to taking something no matter the quality and polishing it. As I got more experience with the slush, it became much easier as I learned to pick out the best writing and most eye-catching stories. The editor in me could see possible edits for many submissions, but as I learned through experience some of them just needed too much work. I was used to making editing decisions after acquisitions, not deciding what to acquire, and that was the big learning experience for me. I learned how to spot quality in the slush and pick out the gems. Continue reading “Lessons from the Slush”